Trombonist, Toyoji Tomita's recording of Rosenboom's In the Beginning: Etude I (Trombones), which he commissioned in 1979, on the anthology, Rosenboom, D. (ed.), Music From Mills, Mills College, Oakland, CA, and Frog Peak Music, Hanover, NH, [3-LP-record anthology]
"There are two basic principles of musical structure I rely on. The first is expressed by the force of attraction, (gravity, love, concentration, creation), and the second lies in the idea of repetition, (materialization, duration). My mindfulness of this constitutes the only score. I find I must wait before the beginning of each performance until I am surprised by the first sound I make and the fact that it is made. Then, I feel ready to proceed."
As pianist with Anthony Braxton, Gerry Hemingway, and Mark Dresser; work centering around Braxton’s compositions and improvisation, examples released on Five Compositions, Black Saint IREC, BSR 0106, Milan, Italy, 1987, CD; and The Anthony Braxton Quartet, "...if my memory serves me right", West Wind, Bellaphon Records, ITM–Records, 004, Wuppertal, Germany, 1988, CD.
Interview by D. Paul. Performing Arts Journal, 29, 12–16.
Challenge was an extraordinary trio with David Rosenboom, Anthony Braxton and William Winant, a music collective employing composed and open forms. Examples have been released on The Virtuoso in the Computer Age, Centaur Records, Inc., Consortium to Distribute Computer Music, Vol. 10, CRC 2110, Baton Rouge, LA, 1991, CD, and Bananafish, 13, San Francisco, 1999, a CD accompanying the journal.
Computer Music Journal, 10, 1, 40–63.
Pianist. On Music From Mills, 3-record anthology, Mills College, Oakland, 1986
Producer, editor. Anthology of 21 composers, Mills College, Oakland, 1986, [3-LP record set]
[NEW SCORE FOR DOWNLOADING COMING SOON!] Concert-length work in five parts for percussion soloist with live, computer assisted electronic music system, auxiliary keyboard and melodic instrument parts. New double-CD recording is currently in process and scores will be posted soon.
In Proceedings of the International Computer Music Conference. (San Francisco: International Computer Music Association - ICMA), 243–250.
In Proceedings of the International Computer Music Conference. (San Francisco: International Computer Music Association - ICMA), 419-424.
(Santa Clarita, CA: David Rosenboom Publishing.)
Melodic materials derived from the techniques of Zones of Influence for elaboration through improvisation with computer assisted keyboard instrument.