Works

"There are two basic principles of musical structure I rely on. The first is expressed by the force of attraction, (gravity, love, concentration, creation), and the second lies in the idea of repetition, (materialization, duration). My mindfulness of this constitutes the only score. I find I must wait before the beginning of each performance until I am surprised by the first sound I make and the fact that it is made. Then, I feel ready to proceed."

Demonstration of brainwave music for the ABC series with David Rosenboom and Holly Palance, produced by Columbia Pictures Television, Los Angeles.

Interview by E. Soltes. City Arts Monthly. (March, 1982). (San Francisco), 17.

Solo recordings with computerized electronic music system, piano, violin, percussion. Contains: Station Oaxaca, Nazca Liftoff, Corona Dance, Time Arroyo, Desert Night Touch Down, Palazzo and Nova Wind, Street Records, #SRA-002, Birmingham, MI, 1982, [LP record]; re-mastered for digital and re-released along with the complete version of And Out Come the Night Ears (1978) on New World Records, #80668, New York, 2007, [CD].

Interview by J. Siddall and Timar, A. Musicworks, 21. (Toronto: Music Gallery), 12-14.

Producer, engineer. A.R.C. Record, #ST1003, Toronto, 1969 & 1982.

Pianist. On Tidal: Michael Byron, Neutral Records, #N5, NY, 1982.

Arranger. Electronic arrangement of University of Michigan fight song using the Buchla 300 Series Electric Music Box, Streetside Records, Birmingham, Michigan, #SE-1001, 1982 , single, 45 rpm record, mono.

For Eugenio Tellez, electronic process on the Internationale, recorded in the composer’s studio; edited version released on Roundup: A Live Electro–acoustic Retrospective (1968–1984), Slowscan Editions, Vol. 7, 's–Hertogenbosch, Holland, 1987, [cassette]; complete version released in digital form on Roundup Two, Selected music with electro-acoustic landscapes (1968-1984), Art Into Life, Japan, 2012, [2-CD set].

For variable instrumentation; one of seven free–form pieces developed for the Future Travel collection and derived from the In the Beginning system of harmonies and melodies; score contains cyclical rhythmic and harmonic patterns to support melodic improvisation, in Music for Keyboard Instruments and Improvisation Groups.

Recording made with the Touché electronic keyboard instrument for a National Public Radio program on contemporary keyboard music with John Cage, Lou Harrison, David Rosenboom, and Conlon Nancarrow, produced by Eva Soltes Associates, Albany, CA.

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