Works

"There are two basic principles of musical structure I rely on. The first is expressed by the force of attraction, (gravity, love, concentration, creation), and the second lies in the idea of repetition, (materialization, duration). My mindfulness of this constitutes the only score. I find I must wait before the beginning of each performance until I am surprised by the first sound I make and the fact that it is made. Then, I feel ready to proceed."

Recorded for National Public Radio program on contemporary keyboard music with J. Cage, L. Harrison, D. Rosenboom, and C. Nancarrow, produced by Eva Soltes Associates, Albany, CA, 1981.

[SCORE & PARTS AVAILABLE FOR DOWNLOAD] The eighth in the In the Beginning series of eight major works for various instrumental ensembles, soloists and electronic media.

Set of seven pieces entitled, Station Oaxaca, Nazca Liftoff, Corona Dance, Time Arroyo, Desert Night Touch Down, Palazzo, and Nova Wind, freely composed in studio utilizing the system of harmonies and melodies developed for the In The Beginning series with expanded electronic orchestration and instrumental parts.

Interview by Heather Millar. (October 2, 1980). The Mills Stream. (Oakland, CA: Mills College).

[SCORE & PARTS AVAILABLE FOR DOWNLOAD] The fifth in the In the Beginning series of eight major works for various instrumental ensembles, soloists and electronic media.

(Berkeley, CA: Buchla and Associates.)

[SCORE AVAILABLE FOR DOWNLOAD] The sixth in the In the Beginning series of eight major works for various instrumental ensembles, soloists and electronic media.

[SCORE AVAILABLE FOR DOWNLOAD] The eighth in the In the Beginning series of eight major works for various instrumental ensembles, soloists and electronic media.

A collection of motifs and patterns for use in improvisation by any groups or soloists, in Music for Keyboard Instruments and Improvisation Groups.

By David Rosenboom with George Manupelli, staring Jacqueline Humbert and Jean Moncrieff, abstract characters perform symbolic acts about post–human transformations, created for use with the composition for chamber orchestra and synthetic speech, (score available from Frog Peak Music, Hanover, NH.), 16mm film, silent, approx. 25 min., also available in video transfer with subtle video processing.

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