"There are two basic principles of musical structure I rely on. The first is expressed by the force of attraction, (gravity, love, concentration, creation), and the second lies in the idea of repetition, (materialization, duration). My mindfulness of this constitutes the only score. I find I must wait before the beginning of each performance until I am surprised by the first sound I make and the fact that it is made. Then, I feel ready to proceed."

Improvisation group including David Rosenboom, J.B. Floyd, Bruce Pennycooke, Terry Clarke, Rick Homme, and Kathy Moses, CBC Recording, Toronto.

With Richard Teitelbaum and Michael Byron; open form music with instruments and electronics.

Two pianos, improvisational work developed in collaboration with J.B. Floyd; some parts draw on notated materials.

Performance art ensemble with Jacqueline Humbert, Mary Moulton, George Manupelli, Michael Byron, Francis Leeming, William Winant, Ann Holloway, James Tenney, Harvey Chao, Jean Moncrieff, and others; performance art collective, theater, music, new media, narrative forms, and art performance, often involving improvised forms.

Producer, performer, engineer. A.R.C. Record, #ST1001, Vancouver, 1975.

Violin, synthesizer. GRT Records, Toronto, 1975.

ARP 2500 synthesizer, made for documentary film intended for Canadian television.

Interview for the CBC network, Toronto.

[SCORE AVAILABLE FOR DOWNLOAD] A piece for variable ensembles with keyboard parts, bass lines, rhythms, chords, and melody lines, involving patterns with improvisation and a gradual process middle section.

Two piano duo, development of a repertoire of pieces employing improvisation and a variety of open form compositions.

[SCORE AVAILABLE FOR DOWNLOAD] With Jacqueline Humbert, for speaking and chanting voices that may be pre–recorded, piano, electronics, brainwave performer, and optional percussion.

Japanese translation.
Transonic, 3. (Tokyo: Zen–On Music Co.)